英文影评:《幸福终点站》(The Terminal)

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No modern traveler has more notoriety than Merhan Karimi Nasseri, who has been stranded in Terminal One of Pariss Charles de Gaulle airport since 1988. Nasseri was expelled from Iran in 1977 and spent 10 years trying to ga...
every scene. Pallana needs his own sitcom, stat.

Buried in The Terminal you’ll find a theme or two. One is rather clever, about how The New America is obsessed with keeping foreigners out of the country while in reality they’re running the infrastructure at our airports. The second is a little less successful, about how you can feel alienation and loneliness despite being surrounded by throngs of humanity. Unfortunately, there are probably no two people alive who have less business exploring a story about alienation than Hanks and Spielberg, who thrive on acceptance by people – and get it at every turn.

The film is very well made, and from Spielberg we’d expect nothing less. It unfortunately comes with all of his baggage and nothing groundbreaking to speak of. When we enter the terminal for the first time, a voice-over may as well boom-out, “Look at the masterful set I built!” All of Spielberg’s other hallmarks are in place too, right down to the intrusive John Williams score. After two outstanding flicks (Catch Me and Minority Report), I suppose he deserves a meatball.

Ultimately, two hours in The Terminal closely resembles two hours in a real airport terminal. It’s also not unlike experience of talking to a foreigner who barely speaks English: Strangely intriguing, but kind of sad and deeply frustrating.



What, no Hot Dog on a Stick?

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